Final Frame provides Digital Cinema, Digital Intermediate ( 2K / 4K ) Grading and Finishing, Online / Offline Editing, and Dubbing post production services to the Independent, Motion Picture, Commercial, and Television content creation industries. As an all inclusive boutique post house, Final Frame has invested in state-of-the-art technology, equipment, techniques and workflows for the creation and delivery of high quality media content. Will started his career in the video department at Tekserve in 1995 while editing underground video features as part of nuBright Solutions, a collective of artist/filmmakers populating the web with indy films. After teaching editing for the Ford Foundation in Africa, he went to work at Oxygen Media, the first network to go entirely on air using Final Cut Pro, as the Senior Engineer. Will co-founded Final Frame in 2001. Will has been color correcting for the past 5 years with Online/Color Correction credits on the Oscar winning documentary, THE COVE, acclaimed documentary Control Room ( Sundance Film Festival ), Speedo ( winner at Full Frame ), and Murderball ( winner of best editor at Sundance ), as well as numerous other documentary and scripted films. Will's television credits include shows for MTV, Comedy Central, SpikeTV, Nickelodeon, Oxygen, Fuse, CourtTV, CSTV, The History Channel, Lifetime, PBS, IFC and ESPN. He onlines on both Final Cut Pro and Avid Symphony. Alan's credits include Welcome to the Dollhouse ( Grand Jury Prize, Sundance Film Festival ), Happiness ( International Critic's Award, Cannes Film Festival ), Storytelling ( Cannes Film Festival ), and Two Girls and a Guy. He was also the supervising editor and co-producer on the acclaimed documentary Control Room ( Sundance Film Festival ) and the co-editor of Unzipped ( Audience Award, Sundance Film Festival ), which won the A.C.E. Award for Best Documentary Editing. Alan co-produced Assisted Living, winner of the 2002 Slamdance Film Festival, and Children Underground, which won the Special Jury Prize at the Sundance Film Festival and Best Documentary at the IFP Gotham Awards. He has won two Emmy Awards for Outstanding Documentary Editing on the PBS series City Life. Alan is also the owner of The Edit Center, an Apple-certified Training Facility and school, that teaches the art of editing to students who learn by cutting a real feature film. Starting out as an assistant online editor on Everyday Italian, and moving on to work on such films as Roman Polanski: Wanted and Desired, Sleep Dealer, Soul Power, Bart Got A Room, and many others. Charlie has worked as a colorist on many television shows including: Electric Company, Operation Falcon, MysteryQuest, Clash Of The Gods, County Jail, and others. In that time he has worked as an online editor on a number of digital intermediate projects, including Oscar winner The Cove. Ben's color correction credits include Anatomy of a Closet for Ovation, Home for the Holidays for HGTV, Fast Machines with Funkmaster Flex for Spike TV, Surviving Alaska for National Geographic Channel, and episodes of Clash of the Gods and MysteryQuest, both for History. Our Digital Intermediate Suite and Screening Room is equipped with Digital Vision Film Master units for color grading and finishing. Our Online and Offline suites are equipped with DVCAM decks, Sony Digibeta DVW -A500's and HP QA-100 legalizers, Sony HDCAM HDW -A500's and Panasonic Varicam HD-AJ1200A. We have a full complement of other decks from BETA to TC DAT. After doing the DI for five other films at their facility, it was a no-brainer bringing Peter and Vandy to Final Frame Post. The director ( Jay DiPeitro ) had a very specific color scheme in mind to identify different stages of the characters' relationship, and Final Frame delivered it beautifully from the initial color correct to the added scratch removal, grain reduction, and compositing work they did. It's always a relief handing a cut over to Final Frame, knowing that t

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